mariana acosta

As a Mexican Artist, but also as a woman who lived in the United States, I felt the urge to guard myself from the desolating grayness of the long northern winters. By manipulating perceptual notions of form and color, I assemble gradations of circular units, infusing the body with the visual energy of warm saturated hues that perform as protective shields. ©photography Jinkyun Ahn

©photography Jinkyun Ahn

As a Mexican Artist, but also as a woman who lived in the United States, I felt the urge to guard myself from the desolating grayness of the long northern winters. By manipulating perceptual notions of form and color, I assemble gradations of circular units, infusing the body with the visual energy of warm saturated hues that perform as protective shields. ©photography Jinkyun Ahn

©photography Jinkyun Ahn

As a Mexican Artist, but also as a woman who lived in the United States, I felt the urge to guard myself from the desolating grayness of the long northern winters. By manipulating perceptual notions of form and color, I assemble gradations of circular units, infusing the body with the visual energy of warm saturated hues that perform as protective shields. ©photography Jinkyun Ahn

©photography Jinkyun Ahn

As a Mexican Artist, but also as a woman who lived in the United States, I felt the urge to guard myself from the desolating grayness of the long northern winters. By manipulating perceptual notions of form and color, I assemble gradations of circular units, infusing the body with the visual energy of warm saturated hues that perform as protective shields. ©photography Jinkyun Ahn